SONY PXW-FS7 (4K, 180fps slow mo, S-LOG 3, 422 in 10 bit)
SONY a7s II (4K, 120FPS SLOW MO, S-LOG 3)
Fujifilm X-Pro 1
DJI Phantom 3 Professional 4K drone
Zeiss Batis 25mm f/2
Zeiss Batis 85mm f/1.8
Zeiss/Sony 16-35mm f/4
Panasonic 20mm f/1.7
Sigma 18-35mm f/1.8
Nikon 50mm f/1.4
Nikon 60mm f/2.8 macro
Nikon 70-200mm f/2.8 vrii
Sigma 10-20mm f/3.5-5.6
Fujifilm 35mm f/1.4
Fujifilm 18mm f/2
Kessler Pocket Jib Traveler
Freeflysystems MOVI M5
Came-TV Optimus 3 axis gimbal
Rhino Slider EVO Carbon - Motorized slider
The main workhorse camera is the new Sony FS7 capable of recording in 4K in 10 bit 422 color space, S-Gamut3Cine/S-Log 3, frame rates up to 180fps in HD for incredible slow motion footage. I have a Video mirrorless full frame kit with the Sony a7s II capable of 4K resolution and high speed slow motion up to 120fps in 1080HD. Wide range of lenses for these cameras. Other cameras are also available on request.
DJI Phantom 3 Professional drone capable of recording in 4K.
The MOVI M5 gimbal stabilizer for smooth camera movements.
Came-TV Optimus 3-Axis gimbal.
For lighting I use a Kino Flo 4 Bank and Westcott TD6 with a variety of light modifiers (medium softbox, 60″ ‘octabank like’ modifier, umbrella, etc..).
Other extras including sound gear, Zoom H6 sound recorder, Røde Videomic Pro, and Røde NTG-3 Shotgun mic, large selection of filters including ND filters, and enhancers. Redrock follow focus, Marshall HD monitor, Small HD DP4 monitor, and Zacuto Z-Finder EVF Pro.
HD editing kit, Adobe Creative Suite CC Premium Production comprising Premiere CC, After Effects CC, SpeedGrade CC, and various plug-ins including Magic Bullet Looks II, Colorista II, Film Convert, Vision-Color LUTs, DeNoiser II, PluralEyes for audio synching.